by J.T. Ellison

5 out of 5 stars

In the realm of literary suspense, where echoes of familiarity often dull the edges of thrillers and mysteries, J.T. Ellison's "A Very Bad Thing" stands as a beacon of originality and depth, illuminating a path all its own. With gratitude to Ellison for the opportunity to review this gem via NetGalley, I delve into a review that I hope not only showcases the brilliance of the book but also honors its unique essence.

Ellison, a pillar in the domain of suspense, crafts a narrative around Columbia Jones, an author at the pinnacle of her acclaim. But for Columbia Jones, fame is a flame that casts both light and shadows, revealing what was meant to remain unseen. This tale becomes a profound exploration of the intricate dance between the luminous façade of success and the dark recesses of a past teeming with secrets. Ellison deftly explores the devastating collisions that occur when hidden truths claw their way into the light, presenting readers with a story that transcends the conventions of its genre. "A Very Bad Thing" is not merely a thriller; it is an odyssey into the heart of human complexity, urging us to contemplate the extent to which secrets can shape, or shatter, lives.

What sets "A Very Bad Thing" apart is Ellison's adept use of multiple perspectives. Each character is meticulously crafted, with their unique voices adding layers of complexity to the unfolding mystery. This narrative choice not only enriches the storytelling but also immerses readers in a multidimensional investigation into Columbia's untimely death, making every twist and revelation feel personal and impactful.

Ellison masterfully balances a rapid pace with rich, detailed world-building, ensuring that the suspense never wanes while the setting remains vivid and tangible. The plot, rife with twists that are both shocking and satisfyingly plausible, propels the reader through a whirlwind of emotions and theories. Each turn of the page is a step deeper into a labyrinth of lies and truths, with Ellison guiding us through with the skill of a maestro.

The premise itself is a lure, presenting a mystery that feels both intimate and grandiose. Ellison taps into the universal allure of the literary world, then flips the idyllic image on its head, presenting a scenario where success and adoration are shadowed by danger and deception. It's a reminder of the fine line between adulation and envy, and how quickly one can spiral into the other.

Ellison’s characters are not merely participants in the plot; they are its lifeblood. Each one, from Columbia Jones to her daughter Darian, and the enigmatic Riley Carrington, is drawn with such depth and realism that they leap off the page. They are flawed, passionate, and driven by desires and fears that make them relatable and their fates matter deeply to the reader.

In "A Very Bad Thing," J.T. Ellison has not just written a thriller; she has crafted a mirror reflecting the complexities of human nature and the unpredictable consequences of our choices. This book is a testament to her prowess as a storyteller, capable of entwining suspense, emotion, and insight into a narrative that captivates from the first page to the last.

As the tale of Columbia Jones unfolds, revealing a tapestry of ambition, fear, and the relentless pursuit of truth, Ellison proves once again why she is a luminary in the thriller genre. "A Very Bad Thing" is more than a novel; it's an experience, a journey into the heart of darkness that emblazons the human condition.

Thank you, J.T. Ellison, for another unforgettable adventure into the shadows of the human soul. "A Very Bad Thing" is not just a book to be read; it's a story to be experienced, a puzzle to be solved, and ultimately, a mystery to be reveled in. This is a story that deserves to be at the top of every thriller enthusiast's reading list, a beacon of narrative brilliance in a crowded field.

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